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Archive for June, 2008


How I Quit Smoking and How Most People Quit Smoking

There are many ways to quit smoking but if you look more closely then there is more than meets the eye. Most people quit using one method and a silent minority quit using other methods. Find out more in this article.

You have to be ignorant to not be aware of the dangers of smoking. Yet some smokers, mainly younger ones, actually think that smoking is a risk worth taking! They actually think that there are great advantages to smoking. Most smokers though do want to quit so I’d like to help you by showing you the 2 main ways that people quit that most people don’t even realise.

How Most People Quit

You see a lot of different quitting methods out there but they are really all the same.

For instance, nicotine replacement therapy is a substitution method. You substitute your addiction to cigarettes and replace it with an addiction to patches or inhalers. This method is exactly the same as just cutting down on cigarettes and we know how successful that is.

Again, taking drugs or trying lasers or acupuncture or even magnets - these methods are all similar because they reduce the cravings temporarily while you make the big transition from smoking to not smoking.

The Verdict

This is how most people quit. They are all the same method because they all achieve the same thing - they focus on the symptoms, the cravings. And they are all incredibly unsuccessful. Maybe you don’t believe me, because there is an entire billion dollar industry built around this method of stopping the cravings?

If you do your research then the simple fact is that only around 5% of people using these methods will never have another cigarette again in their life. That is because the cravings are only cured temporarily. The desire for a cigarette never disappears for good. You will always be an addict.

When you hear of incredible success rates with some methods, these are only measure weeks or months after quitting and not years. Surely you want to quit for life and not just for 6 months?

How I Quit Smoking

I should rephrase that statement really because this other method that I am about to tell you about has not just been used by myself but also by hundreds of thousands of other people around the world, including famous celebrities such as Anthony Hopkins. But sadly, even in our thousands we are still barely a percent or two of all the people who have ever tried to quit.

I quit smoking by learning a technique that allowed me to break my addiction for good.

You see, addiction is a state of mind. Yes, cigarettes contain chemicals including nicotine which all play a part in addiction. But, apart from the smoking damage, there are no physical differences between the brain of an addict and the brain of a non-smoker.

Think about it, when you went from a non-smoker to becoming a “hooked” smoker in the space of a few days, did your brain change physically? That would be impossible. Therefore, addiction is simply a state of mind and this is the key to conquering it.

But don’t just take my word for it - listen to the thousands of others who quit like this every year - the difference with us is that we are truly free from addiction and never, ever desire a cigarette again.

Discover my personal recommendations for using this better method and get more quitting tips, advice and free reports at http://www.QuitSmokingAdvisory.com

Juan Diaz - “The Baby Bull”

Diaz who is 24 years old recently lost his WBA, WBO and IBF title belts to Nate Campbell on March 8, 2008. The defeat was his first of his career in the bout Diaz suffered a severe cut over his left eye which was caused by a head butt, the cut effected Diaz’s vision throughout the bout. Diaz reports that now his left eye is completely healed after a minor procedure was performed to elevate an infection as Diaz describes to us the cut and his “stubbornness” by not listing to his corner caused him to lose the fight. Diaz says he got away from his usual fight plan which includes jabbing and a flow of combinations instead Diaz stayed inside and Campbell has able to land some solid shots. Two of the three judges scored the bout for Campbell giving him the split decision victory.

Diaz informs us that his next bout is scheduled for September 6, 2008 against Michael Katsidis. The fight is going to take place at the Toyota Center in Houston, Texas which is Diaz’s home city the only detail left is for both fighters to officially sign the contract. This will be Diaz’s return to Houston after not fighting there for 3 years and he views this as a big home field advantage. Diaz takes great pride in being a champion, understands the dedication required to regain his belts. Diaz is not only committed to getting back the championships, he is also a full time student who over the next year or so will be graduating from The University of Houston where he is a pre-law major. According to Diaz his daily routine includes an early rise and straight to the 24/7 Wellness Center where he starts his day with weight training followed by Swimming and then off to the University, Diaz is so committed in graduating he even enrolled in Summer Classes. At night Diaz will hit the gym again to wrap up his workout for the day on the stair-master. This daily workout routine which differs from the normal boxer’s workout plan is devised by his strength and conditioning trainer Brian Caldwell. With all this going on Diaz finds time to study in order to maintain good grades, after graduating Diaz who is Mexican, American plans to go onto Law School. He ultimately would like to be involved with either Immigration Law or Sports Contracts. Diaz like former Mexican boxing champion and Hall of fame inductee Carlos Palomino will be one of the few champion boxers that hold a college degree. Actually, Palomino on January 21, 1977 fought against Armando Muniz, this was the first time two boxers with college degrees fought for a world title.

Diaz who started to learn how to box at the age of 8 had a significant amateur career compiling a 105-5 record however he was prohibited from competing for the Mexican Olympic team in 2000 since he was not of age. Not wanting to wait another four more years Diaz turned pro and went on to win his first professional bout on June 23, 2000 at the age of 16 defeating Rafael Ortiz with a first round knockout. Since his first bout Diaz has won 32 bouts and has a record of 33-1. Now Diaz looks to pick up his winning ways against the tough Michael Katsidis who hails from Toowoomba, Australia. Katsidis (23 -1) (20KO’s) is also coming off his first lose in which he was knocked out by Joel Casamayor in the 10th round. Diaz says he has started to study film of Katsidis and along with his long time training team or Ronnie Fields and Derwin Richards they will develop a top notch game plan. Diaz who was devastated about losing his title belts understands that he most look forward and needs to go on with his career. A victory over Katsidis will put him back in the lightweight title hunt which, besides Campbell and Casamayor includes the up and coming talented Anthony Peterson and Amir Khan.

After the Nate Campbell bout Diaz switched promoters from Don King to Oscar De La Hoya’s Golden Boy. Juan says the switch was for the better now he is with promoters that care about their fighters and guide them to the correct match ups. Golden Boy unveiled Diaz at the April 19th Joe Calzaghe - Bernard Hopkins fight in Las Vegas. Diaz was part of the weigh-in event and shared the stage with many great fighters and celebrities. As legendary ring announcer Michael Buffer announced each celebrity to the stage Diaz was sure to remind Buffer to announce him as Juan Diaz “The Baby Bull”. Diaz is truly” The Baby Bull” with an undisputed work ethic and a never give up attitude ‘The Baby Bull” is on life’s right track.

http://www.diamondboxing.com

Sexy is, as Sexy Does

We sell womens sexy lingerie and clubwear. A friend of mine was going through our web site the other day, and asked me this question “Why do you guys say sexy and hot with the plus sized stuff ?” My friend just fell off my cool list. I thought my friend was cool, but, if he does not know the essence of sexy, then he can not be cool. Sexy is as sexy does! Sexy is not about being the perfect size. Sexy is not about being a supermodel. Sexy is not about showing skin. Sexy is the combination of many elements that come together. Sexy lingerie and clubwear are about accentuating those elements, no matter what size or shape the wearer is. I know the media still pushes thin. That’s because, it’s what they THINK, we want. They don’t know that plump can be sexy.

Women come in many sizes and shapes. All women are not sexy. All women can be sexy. The first step to any woman being sexy is, she must KNOW she is sexy. Knowing you are sexy is the base, the foundation, of the attitude that creates sex appeal. This is true for men and women. Self confidence is a very large part of sexiness.

Conduct is the next element in true sex appeal. Hold yourself up. Behave in a sexy manner. Be sexy. This does not mean be a floozy (polite term). Being easy, and sleazy, is not sexy. In fact, one of the elements of sexiness is mystery. Read my article on M.E.T (Mystery, Excitement, and Tease). IT is about giving yourself the presence of sex appeal.

Mae West was one of the most sensual women that ever lived. She was not some toothpick walking down a runway. Her sexiness oozed out of every poor in her body. She used her eyes, and facial expressions. She used her voice, and body language, to convey her sexual presence. She knew how to use her strengths, and hide her weaknesses. Mae West was a plump gal, especially by the time she did “Little Chickadee” and she had men drooling for her. She used her personality traits in a sexual manner. She acted sexy, she believed she was sexy, and therefore she was sexy. Even her wit was a sex appeal. Sexy is as sexy does. Marilyn Monroe was another great example of sexy presence, also not a size 2. I have heard women say, “Oh, I can’t wear that, I haven’t the body for it.”. If that is how you feel, then you are correct. If you look at it and think, “He is going to want to lick my high heels when he sees me in this.”. Then you have the essence of sexiness.

We have all seen women throwing skimpy clothing on, that is two sizes, too small. That is not sexy. That is a gross misuse of sexy clothing. Sexy lingerie and clubwear are tools that a sexy woman uses to her advantage. Throwing something on just to show skin, is like using a screwdriver as a hammer, you might get the nail in, but, your going to have to work a lot harder at it. To quote Mae West, “I like my clothes to be tight enough to show I’m a woman… but loose enough to show I’m a lady.”.

You need to be aware of what your strengths are, and accentuate them. You must be aware of what your weaknesses are, and now how to cloak them. Mae West understood this, and used her wardrobe as tools to enhance her sex appeal, not create it. Another Mae West quote was “You can say what you like about long dresses, but they cover a multitude of shins.”. Your strengths are going to be as individualized as you are. There have many many sex symbols throughout history, and the came in all sizes and shapes. Anna Nicole Smith (in all her sizes), Zsa Zsa Gabor, Delta Burke, Queen Latifah, and Cleopatra (was plumper than the movies ever showed) just to name a few off the top of my head.

Know you are sexy, have a sexy presence, learn what your strengths and weaknesses are, learn how to create mystery, excitement, and tease. Wear clothing that uses your strengths, and hides your weaknesses. Then you can find the essence of true sexiness. We can provide the sexy lingerie and clubwear for you to use in your arsenal, it’s up to you, the wearer, to use them correctly. The question is, are you sexy enough to wear our lingerie and clubwear? Sexy is, as sexy does. Since I used Mae West as an example, here are some great Mae West Quotes that embodied her sexual presence:

1. I don’t like myself, I’m crazy about myself.

2. You’re never too old to become younger.

3. It’s better to be looked over, than overlooked.

4. I like my clothes to be tight enough to show I’m a woman… but loose enough to show I’m a lady.

5. You can say what you like about long dresses, but they cover a multitude of shins.

6. Those who are easily shocked… should be shocked more often.

7. I generally avoid temptation unless I can’t resist it.

8. He who hesitates is a damned fool.

9. You may admire a girl’s curves on the first introduction… but the second meeting shows up new angles.

10. When a girl goes wrong, men go right… after her.

11. Too much of a good thing is wonderful.

12. When choosing between two evils, I always like to try the one I’ve never tried before.

13. I used to be Snow White… but I drifted.

14. It’s not the man in your life that counts. It’s the life in your man.

15. A man in the house… is worth two in the street.

16. A hard man… is good to find.

17. Give a man a free hand… and he’ll run it all over you.

18. To err is human — but it feels divine.

19. A man in love is like a clipped coupon — it’s time to cash in.

20. Good sex is like good Bridge… If you don’t have a good partner, you’d better have a good hand.

21. I go for two kinds of men. The kind with muscles, and the kind without.

22. I like two kinds of men: domestic and imported.

23. So many men… so little time.

24. Save a boyfriend for a rainy day, and another, in case it doesn’t rain.

25. Marriage is a great institution, but I’m not ready for an institution yet.

26. Is that a gun in your pocket or are you just happy to see me?

Jim lives in Augusta Ga, where he and his wife sell lingerie, sexy costumes, clubwear and biker gear, called Hot Stuff Leather and Lace. He also enjoy’s writting about romance, relationships, and fashion. You can read his other articles or see him on his forums at http://www.hotstuffleatherandlace.com Come by and say hi, or browse our catalog.

Breaking Into Hollywood - Do You Know Anyone Who’s Hiring?

This is a tough article to publish, but it’s just so important! The message of this missive is simple: stop asking people to hire you. STOP IT. It is not only not an effective way to break into the industry, it is a sure way to drive away the very people who are able to help you.

Does this sound counterintuitive? Completely against the whole concept of “taking initiative”? Let me explain.

If you have few or no credits (and little or no income), you know the frustration/panic of not knowing how you’re ever going to break through the gates of the entertainment industry and get both recognition for your passion AND a paycheck for your bills. That’s a given, and that’s entirely valid and understandable.

But take a moment before you ask the next person you’ve just met to hire you to visualize the same scenario OUTSIDE of the entertainment industry. If you’d just met the senior partner of a law firm, and had neither work experience in a legal firm nor a law degree, would you open and/or close the conversation with a request to be hired? I hope not! Because if you did, the head of that firm would not be impressed by your passion for law. They would be baffled by your lack of understanding of how one gets hired to work in a law firm. They also might be a bit miffed by your lack of respect for what they do since you think that someone with no experience merits some of their hard-earned income. And finally, they might really like you and appreciate your enthusiasm for their field, but they already have a long line of entry-level applicants they’ve already got a relationship with and will offer the next opening to.

Notice the “entry level” qualification in that sentence. That’s because if you are approaching the head of a law firm with no experience or degree and asking to be hired as an attorney, well, you are insane and deserve the outraged expression you are about to see on his or her face. But you know that already. In fact, you would never dream of asking a senior partner at a law firm to hire you as a lawyer if you had no background qualifying you to do so!

Now, if you understand that boundary in the legal arena, but you approach employment differently in the entertainment industry, you are setting yourself up to fail. It is imperative that you enter this field recognizing and respecting it as a real business. Your passion for medicine will not earn you a spot in the operating room if you have no degree, and your passion for Hollywood will not earn you a gig in this industry if you have nothing to bring but your passion. And why should it? Why would you demand to be paid top dollar as a surgeon if you have no idea how to perform surgery…and why would you demand to be paid any dollars as a filmmaker if you have no idea how to make films?

Now I know you might be saying: “I know how to make films!” “I know how to write a script!” “I know how to produce a TV show!” “I know how to act!” Can I ask you, for one moment, to consider the possibility that if you have not already done one of these things, professionally, and regularly paid your bills doing so…that there is something, in fact, much…that you do not in fact yet know?

Still with me? Okay, now what if your approach to the industry became “What do I need to learn to succeed here?” rather than “How much can I get out of this as quickly as possible so my dreams can immediately come true?” What if you slowed down a little and decided to learn before you leap?

As soon as your energy becomes “What do I need to learn?” instead of “What do I want to earn?,” your experience in this game is going to change. FAST!

Here is my suggestion to you the next time you meet someone you’re dying to work for. Don’t tip the balance of the exchange by becoming a “supplicant,” someone with their hand out for a job. And don’t end the possibilities of the meeting by pretending you know or have done more than you have done. Instead, talk to that person with passion about what they do! People in the industry work the most ridiculous hours you can imagine, as will you. And they do it because they are obsessed with what they do. Let them talk. Learn from what they know. Buy them a cup of coffee or a glass of wine. THANK THEM FOR THEIR TIME. And walk away from that exchange without asking for something additional in return.

I do mean something “additional.” Information is money in this industry and every other one. Someone’s precious time and pearls of wisdom are worth a lot to you if you listen and learn. Don’t add to that generous gift by also asking them for money!

If you find a connection between a talented person and yourself, this is a person to follow up with later and ask if you can give THEM something back in RETURN! This is the person you want to VOLUNTEER for. Now that you know what they do, figure out what skills and contacts and assistance you can offer them. And this is key: don’t offer to do something for them that will help make your dreams come true; offer to help them achieve one of their own goals. Because once you do that, you’ve evened the exchange, and the ball is in their court now to want to help you! And if you go in and do an incredible volunteer job, believe me, they will want to help you.

I cannot count the number of times I’ve had this conversation with new people in the industry. I CAN count, however, the number of times they’ve sent me a thank you note and asked me for a job, despite all I’d just told them. Do you think I hired them? Of course not! They couldn’t follow the simple, free advice I’d just given them; I knew they might once again think they knew better than I do when I gave them instructions to do something at work at my company! Why would I take that risk when I already have a long list of people I’m already hoping to help move ahead?

On the other hand, the one…and I do mean ONE…person who followed up with me and offered to work for free for a week (on a massive show) in order to cross out of music videos into TV production….well, we hired her at the end of the first day. She was that good.

Are(n’t) you?

DMA is a former film story analyst, international runway model and stage performer who is now the executive producer of Tidal Wave TV, a new media and reality TV production company in Los Angeles. Learn how to sell a screenplay or sell a reality show from DMA’s industry guides: “The 1-3-5 Story Structure Made Simple System: The Nine Essential Elements of a Sellable Screenplay” and “The Show Starter Reality TV Made Simple System: Ten Steps to Creating and Pitching a Sellable Reality Show.”

For DMA’s national speaking schedule and more insider resources for breaking into Hollywood, please visit Planet DMA. It is our goal to mentor you through your career in the entertainment industry!

Silk Stalkings (Season 2) DVD Review

Nominated for only one Emmy, the entertainment quality of Silk Stalkings is nevertheless evidenced by its nine season run which is one of the most enduring ever for an original cable TV series. Partly responsible for this lack of critical acclaim is that Silk Stalkings was a trailblazer in the cable genre, and handing out Emmys to original cable series didn’t become fashionable until the late-1990s when Sex And The City and The Sopranos broke the cable barrier for good. Another contributing factor to the lack of peer recognition is that Silk Stalkings lasted about four seasons longer than it should have, given that nearly the entire cast and crew were replaced after the first five seasons. Regardless, this hour-long drama series set in Palm Beach, Florida contains all the necessary ingredients for a hit show - beautiful people in a beautiful setting with lots of murder, violence, and intrigue. Silk Stalkings offers everything one could ask for in a TV drama, and the show’s success helped pave the way for additional original cable series such as Monk and The Shield…

Silk Stalkings follows the exploits of two Palm Beach, Florida detectives who investigate murders and other high profile crimes in an elite community which is no stranger to fame and fortune. Sgt. Chris Lorenzo (Rob Estes) and Sgt. Rita Lee Lance (Mitzi Kapture) are partners on the local Palm Beach Police Department, and each episode they must investigate one or more high-profile crimes. The dynamic relationship between Chris and Rita is a focal point of the show, and the two will overturn every stone and use every tactic at their disposal to bring justice to those who, either due to fame and/or wealth, believe they are above the laws that governor average people… Veteran entertainer Ben Vereen plays their boss, Capt. Hutchinson, in seasons one through three before being replaced by Charlie Brill (Capt. Harry Lipschitz) for the remainder of the series… Overall, Silk Stalkings is a finely scripted investigative drama cut from the same mold as Law & Order SVU…

The Silk Stalkings (Season 2) DVD features a number of dramatic episodes including the season premiere “Baser Instincts” in which Chris and Rita investigate the inner-workings a local film company that might be a possible front for an organization with a far more sinister purpose than filming beautiful people… Other notable episodes from Season 2 include “Bad Blood” in which a family member becomes a prime suspect in a brutal attack on his family, and “Dead Weight” in which Chris and Rita investigate the gym room murder of a businessman who was having an affair…

Below is a list of episodes included on the Silk Stalkings (Season 2) DVD:

Episode 21 (Baser Instincts) Air Date: 09-17-1992

Episode 22 (Goodtime Charlie) Air Date: 09-24-1992

Episode 23 (Social Call) Air Date: 10-29-1992

Episode 24 (Wild Card) Air Date: 11-05-1992

Episode 25 (In Too Deep) Air Date: 11-12-1992

Episode 26 (Bad Blood) Air Date: 11-19-1992

Episode 27 (Hot Rocks) Air Date: 11-26-1992

Episode 28 (Scorpio Lover) Air Date: 12-03-1992

Episode 29 (Love - 15) Air Date: 12-10-1992

Episode 30 (The Queen is Dead) Air Date: 12-17-1992

Episode 31 (Irreconcilable Differences) Air Date: 01-07-1993

Episode 32 (Jasmine) Air Date: 01-28-1993

Episode 33 (Crush) Air Date: 02-04-1993

Episode 34 (Was It Good for You Too?) Air Date: 02-11-1993

Episode 35 (Dead Weight) Air Date: 02-18-1993

Episode 36 (Kid Stuff) Air Date: 02-25-1993

Episode 37 (Night Games) Air Date: 04-01-1993

Episode 38 (Meat Market) Air Date: 04-22-1993

Episode 39 (Star Signs) Air Date: 04-29-1993

Episode 40 (Giant Steps) Air Date: 05-06-1993

Episode 41 (Soul Kiss) Air Date: 05-13-1993

Episode 42 (Look the Other Way) Air Date: 05-20-1993

Episode 43 (Voices) Air Date: 05-27-1993

About the Author

Britt Gillette is author of The DVD Report, a movie review site where you can find more reviews like this one of the Silk Stalkings (Season 2) DVD Review.

Winning in the Court of Public Opinion

O J Simpson, Michael Jackson, Anna Nicole Smith, Enron, Andrea Yates. Cases are not being fought just in the courtroom any more. To the contrary, more disputes than ever are tried publicly through the eye of the media’s camera, creating risks to reputation even if the case never sees the inside of a courtroom. Negative public sentiment can affect trial outcomes and reputations alike. Many attorneys are not comfortable in the media arena. They simply declare that they will not try their client’s case in the media and hope that statement will satisfy their critics. However, with today’s media saturation, silence is not golden, it is guilty. Bad publicity can drive down a client’s stock price even as it increases pressure to settle out of court. With that in mind, attorneys should approach each case with the scrutiny of a journalist, determine the publicity potential of the client and/or the event, and then create a media plan of action to help protect a client’s reputation before, during, and after trial.
Reality versus Fiction

The public has always loved the high drama of a courtroom, beginning with Perry Mason, through L.A. Law in the 1980’s, and most recently, Boston Legal. At times, the lines between courtroom reality and fiction blur, as evidenced in the Andrea Yates trial. Yates’ 2002 conviction was overturned after Dr. Park Dietz, a forensic psychiatrist, told the jury that before the drownings, NBC ran an episode of Law & Order about a woman who was acquitted by reason of insanity after drowning her children. It was later learned that no such episode existed.

Much like Roman times, when the masses would flock to the Coliseum, people are drawn to real-life legal cases and the attorneys involved. “It’s sort of the modern-day equivalent of the gladiator,” explains high profile litigator Roland Garcia of Greenberg Traurig, LLP. “The last place where you truly have people duke it out, and its life, liberty and property on the line.”
Clearly, high profile litigation delivers big ratings and big money to the networks and media outlets because the public is increasingly riveted by the human drama played out on their televisions and newspapers. The public wants more and, like it or not, the media outlets are ready to deliver.

Media Plan
Today, many attorneys use media plans at the earliest phase of litigation to ensure quicker resolutions, sometimes even creating leverage for settlements, while protecting a client’s rights and financial future. Some firms hire outside media relations professionals to handle the media surrounding a high profile case, while others take on the task themselves. Developing a media plan for a high publicity client or event is crucial. If attorneys and their clients wait too long, they may lose the chance to strategize and may end up fighting an uphill battle.

A media plan can be indispensable for a lawyer with a high profile client. Roland Garcia has worked for a number of high profile clients including national banks and oil companies. Garcia says once he determines his client has high publicity potential, there’s no time to waste if he wants to protect not only his client’s reputation but also future profitability. Garcia tells his clients, “Do you have a plan? If not, let’s develop a plan. You can get a professional to help you with it or we can talk about it and I can tell you what I think. You want to develop a protocol on what is the message, who is the messenger, what are the ethics of delivering the message.” Garcia adds, “You need to make sure the message is consistent with your firm’s policies, with the rules of professional conduct, with case law and your personal exposure on business disparagements and defamation and things of that nature.”

A media plan requires determining the audience and its current perception of one’s client. Once the audience target is understood, the attorney and the client need to determine the message, which should be crafted to reinforce the company’s proactive stand on the issue, protect the company’s stock price, and correct any negative impressions raised by the opposing counsel. The public’s reaction to the media plan must also be constantly examined through focus groups to determine if the message should be modified to reflect the public dialogue.

“I have a litigation checklist I give my clients to go through each time they take on a new case,” says litigation media specialist Miranda Sevcik of Media Masters, who states:

The list includes: Is this lawsuit unique, out-of-the-ordinary, or otherwise man-bites-dog? Does this case involve sensational facts? Does the case make new law? Does the opposing counsel have a history of publicizing his or her cases? Does the case involve a large amount of money? Is the case indicative of a trend, or have broad implications as a business story? If the answer to any of these questions is yes, chances are that media outlets will pick up the story. Whether the outlet is national news or a trade magazine, the client’s message must be protected.

Mark Lanier, a successful personal injury trial lawyer, puts it this way: “You don’t use the media to change your results at trial, but if you don’t handle the media right, the perceptions publicly can be very damaging.” Martha Stewart provides a cautionary tale about dealing with the media improperly. Martha Stewart enjoyed phenomenal popularity and a soaring stock price until October of 2002, when the assistant to Martha’s stockbroker admitted to passing inside stock information to Stewart about the ImClone stocks and agreed to testify against her. After tersely refusing to answer a direct question about the insider trading accusations on CBS’s The Early Show, Ms. Stewart resigned from the board of her own company. That same year, Martha Stewart Omnimedia reported a 42 percent drop in their third quarter profits.

The Rules of Professional Conduct and Free Speech Rights
Every lawyer needs to be familiar with the Texas Disciplinary Rules of Professional Conduct, especially Texas Rule 3.07. This rule is modeled after ABA Model Rule 3.6.

Rule 3.07 provides in pertinent part:

(a) In the course of representing a client, a lawyer shall not make an extrajudicial statement that a reasonable person would expect to be disseminated by means of public communication if the lawyer knows or reasonably should know that it will have a substantial likelihood of materially prejudicing an adjudicatory proceeding. A lawyer shall not counsel or assist another person to make such a statement.

Thus, Rule 3.07 sets out a “substantial likelihood of material prejudice” standard in governing a lawyer’s extrajudicial statements. Most obviously, a lawyer should not make statements intended to influence the judge or jury or to affect the outcome of a trial. Such statements will surely subject that lawyer to discipline by the State Bar. On the other hand, Rule 3.07, Comment 3, advises that whether or not there is material prejudice can often depend on the circumstances in which the statement is made. For example, a statement may be allowed if it used to counter the unfair prejudicial effect of another public statement.

Rule 3.07 gives lawyers some guidance on what they can say to the media. Although not exhaustive, part (b) gives examples of what types of statements to the media are impermissible, and part (c) gives examples of those that are permissible. As with any rule, there are gray areas that cannot be addressed with certainty and if a lawyer has any questions, it is best to pose those questions to those experienced in dealing with the media.

A lawyer should also keep in mind United States and Texas Supreme Court decisions regarding lawyers and their own free speech rights in talking to the media. The United States Supreme Court, in Gentile v. State Bar of Nevada, ruled that a State Bar can properly regulate the speech of lawyers by not allowing public statements that will have the substantial likelihood of material prejudicing an adjudicative proceeding. The Court explained that the “substantial likelihood of material prejudice” standard is a constitutionally permissible balance between the First Amendment rights of attorneys in pending cases and the State’s interest in fair trials.

The Texas Supreme Court, in Davenport v. Garcia, addressed the propriety of entering a so-called “gag order,” a court order forbidding public reporting or commentary on a case currently before the court. A gag order in civil judicial proceedings will withstand constitutional scrutiny only where there are specific findings supported by evidence that imminent and irreparable harm to the judicial process will deprive litigants of a just resolution of their dispute, and the judicial action represents the least restrictive means to prevent that harm. Some judges will issue a gag order in high profile cases if they feel that media attention will make it hard to find an impartial jury pool.
Media Relations

Once the rules restricting an attorney’s communication with the media are understood, it is important to determine whether and how to get a client’s message out to the media. Developing relationships with key reporters who will be writing a client’s story is crucial. “Most lawyers who deal in high profile cases have already established relationships with reporters,” says Lynne Liberato of Haynes and Boone. “(But) you still have a duty of truthfulness to the court, respect for the judicial system, the administration of justice, the duty to your client and all those kind of entities.”

A positive relationship with the media can pay dividends to an attorney during litigation. A proactive approach allows the attorney to get a client’s story out to the public first and might even result in early free discovery if the opposing counsel feels it necessary to reveal information to counter the media coverage.

George Parnham explains how well this technique worked for his defense of Andrea Yates:
I got the case one day after Andrea drowned her children. I began to accept interviews. I was aware that a gag order probably was being thought about, so I wanted to do a crash course in educating the public about mental health issues that I studied over within a few hours before my first interview. From Friday through Monday, I was nonstop. Tuesday morning a gag order was in place, but by that time we had leveled the playing field.

Great Plan, Great Outcome

Clearly, winning in the court of public opinion takes more than good litigation strategy. Protecting a client’s reputation demands the continual repetition of a positive message, delivered to a client’s marketing targets in a proactive way. Understanding the importance of a media plan and its execution is important in today’s media hungry society.

By Wade Moriarty

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